
However, her father’s riding accident, which sends her rushing out to the family farm, (once prime Arabian horse breeding grounds), sets into motion a chain of events forcing Susan to confront the worst things about herself that she’s hidden deep within. The pain of abuse at the hands of her mother. The aching hole in her heart from her son’s suicide. The bitter feelings of loss and failure.
All of these things churn about inside, as Stone becomes embroiled in something much larger than herself, testing the measure of what she is, challenging what she’s become, and pushing her to see what she could be.
After her badly mishandled delivery of a foal on her father’s farm, Susan flees wildly into the mountains to escape her pain, perhaps permanently?.much the way her mother did so many years ago. What she encounters there opens the door to a mystery that will either set her free from her fears and the burden of her guilt, or plunge them all into a horror not known for ages.
Hidden deep in a cave, chained to the wall in ancient, iron manacles is a young man whom they come to know only as Jacob. In perfect health; with the wide-eyed innocence of a youth, Jacob has no recollection of who he is, or whence he came. Apparently he can work minor miracles, causes electronic medical devices to go haywire, and may or may not be connected to the evil stalking them all.
For there is a murderer on the loose, leaving charred, barely recognizable bodies as his calling card. Somehow Jacob is tied to the murderer and the deaths, and she must unravel the mystery before it is too late, while facing her fiercest inner demons, all the while fearing the truth of the novel’s tag line: Some things are best left hidden.
Kathryn Mackel’s novel of spiritual warfare is a gripping read written in the visceral, vivid style one would expect from a member of the screenwriting team that created Left Behind: The Movie and the film adaptation of Frank Peretti’s Hangman’s Curse. Her prose is stylish and direct; while reading you get the feel of something that would translate very well to the big screen.
The Hidden provides well laid plot twists held ‘close to the chest’ until the end, and the villain pops up far from where he’s expected. Other reviewers have criticized the villain as being ‘typecast’ and ‘clich?d’, but I found him to be fiendishly delightful; the perfect foil to the innocent, amnesia-struck Jacob. In fact, the novel would have been served well with more detailed appearances of this elusive bad guy.
Also touching and heart-rending is Mackel’s portrayal of the relationship between Susan and her mother, and anyone who has had less than pleasant relations with their parents will be moved by these parts of the narrative. The pain Susan harbors from her childhood is fresh and gripping; real and tangible, and I’m sure very relevant to many.
Mackel also deals with the relationship between the things we hid in our hearts and the nature of spiritual warfare. She weaves spiritual truth into a moving story; creating a tale that is imaginative, edifying, and thought-provoking concerning our own lives, all at once.
The only negative comment would be about the crafting of town Sheriff Rick Sanchez. The past relationship between Stone and Sanchez seemed to have potential as Stone comes home from Boston, but both characters become opposed throughout the course of the novel concerning what should be done legally about Jacob and his guardianship. Also, I became interested early on in Sanchez’s past: military experience, a failed marriage and children, and the biting regret he feels over both – especially as a born again Christian. However, as the pace of the novel picks up, this is not touched upon much.
Overall, The Hidden is an enjoyable read that “gallops” ahead at a breathtaking pace.
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